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Dark Horse Presents 11 (October 1987)

Is The Mask supposed to be understandable? Badger’s writing seems straightforward enough–two CIA agents are trying to find a Cuban priest who’s in New York City, but his art makes it completely...

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Dark Horse Presents 14 (January 1988)

Reading Mr. Monster, I thought a lot about how much I love Will Eisner’s Spirit in black and white. Not because Gilbert’s art in any way reminds of Eisner, but because it doesn’t. Because instead of...

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